Don't Worry Baby Im Not Seeing Anyone on the Side
| "Don't Worry Infant" | ||||
|---|---|---|---|---|
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| Single by the Beach Boys | ||||
| from the album Close Down Volume 2 | ||||
| A-side | "I Go Around" | |||
| Released | May eleven, 1964 | |||
| Recorded | January 1964 | |||
| Studio | Western, Hollywood | |||
| Genre |
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| Length | ii:47 | |||
| Label | Capitol | |||
| Songwriter(s) |
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| Producer(s) | Brian Wilson | |||
| The Beach Boys singles chronology | ||||
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| Endless Summer rail listing | ||||
| xx tracks
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| Licensed audio | ||||
| Don't Worry Infant (Mono) on YouTube | ||||
| Sound sample | ||||
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"Don't Worry Baby" is a song by American stone band the Embankment Boys from their March 1964 album Shut Downwardly Volume 2. Written by Brian Wilson and Roger Christian, Wilson'due south lead vocal on the track is considered one of his defining performances, and he later on referred to "Don't Worry Babe" equally possibly the Beach Boys' finest tape. Information technology was issued in May 1964 equally the B-side of "I Become Around", and charted separately at number 24.
Deriving from Wilson's obsession with the Ronettes' 1963 hit "Exist My Infant", "Don't Worry Babe" has a similar musical structure, only different subject field matter and production arroyo. The lyrics are told from the perspective of a braggadocious man who regrets agreeing to a elevate race, but is ultimately consoled by his girlfriend with the song's championship phrase. The song was originally offered to the Ronettes, but was rejected by their producer, Phil Spector, leaving Wilson to produce it for his own band. On the recording, all of the Embankment Boys played their own instruments.
"Don't Worry Infant" has appeared in several critics' rankings lists, including Spin 's "100 Greatest Singles of All Fourth dimension", Rolling Stone 's "500 Greatest Songs of All Time", and Pitchfork 'south "200 Greatest Songs of the 1960s". Cover versions have been recorded by many acts, including the Bay City Rollers, B.J. Thomas, and Ronnie Spector. Thomas' version outperformed the sales of the original record, reaching number 17 in the U.South. and number one in Canada. The Beach Boys rerecorded the song with Lorrie Morgan for their 1996 anthology Stars and Stripes Vol. one.
Groundwork [edit]
Wilson unsuccessfully offered "Don't Worry Baby" to the Ronettes
"Don't Worry Baby" was composed by Brian Wilson at his habitation in Hawthorne, California.[3] It was conceived as a response to "Be My Baby", a contempo hit by the Ronettes that had amazed and inspired Wilson.[3] In his (since-discredited) 1991 memoir, Wouldn't Information technology Exist Overnice: My Own Story, it is stated that Wilson adopted the vocal title phrase from his then-girlfriend Marilyn Rovell shortly after hearing "Be My Baby" for the get-go time.[iv] [five] In a 2009 interview, he said that he composed "Don't Worry Baby" over the class of two days. "I started out with the poesy thought and then wrote the chorus. Information technology was a very simple and beautiful song. Information technology's a actually heart and soul vocal, I really did feel that in my heart."[6]
The memoir provides further details of the collaboration: "I chosen lyricist Roger Christian and told him I had an idea. He met me one afternoon at my parents' house, where, in 1 of our last collaborations, we wrote a lush carol whose championship and chorus came direct from Marilyn's comforting words, 'Don't Worry, Baby.' I knew the song was a smash before we finished writing it."[5] On another occasion, Wilson recalled, "I met [Roger] in the parking lot at KFWB and he presented the lyrics for me. I went home and wrote the song in about an hour-and-a-one-half."[7]
Wilson considered having the song be recorded past the Ronettes instead of the Beach Boys. In the memoir, it is stated that Wilson changed his heed after discussing the idea with Christian.[5] Conversely, during a 1994 tribute concert with Wilson in omnipresence, Ronnie Spector recalled that she and Wilson had discussed "Don't Worry Infant" in 1963 on the simply prior occasion they had met: "It was the follow-upwards to 'Exist My Baby,' and [Brian] came running into Gold Star Studios and said, 'I wrote a slap-up song for you!' But of form my ex-husband [Ronettes producer Phil Spector] didn't do the writing on it, and then [we didn't tape it]."[viii]
Lyrics [edit]
Like previous songs written by Wilson and Christian, "Don't Worry Baby" portrays a hot-rod themed setting, notwithstanding, different "Shut Down" and "Picayune Deuce Coupe", the vocal has a more melancholic mood.[2] The lyrics are told from the perspective of a homo who regrets involving himself in a drag race. As he confesses his shame to his girlfriend, she consoles him with the vocal's championship phrase.[iii] Biographer Timothy Write observed that the vocal avoids "the darker chill" of "Be My Baby"; rather, "Wilson equanimous a hapless love token that showed its forcefulness in its sudden, surpassing humility."[3] Catch a Moving ridge author Peter Ames Carlin wrote that Christian drew on Wilson'southward "stage fear and romantic insecurities" to write the lyrics. Carlin adds,
The earlier verses contrasted the narrator's lust for his girl—"She makes me come alive"—with his fears regarding the power of his machine: "I guess I should take kept my mouth shut when I started to brag nigh my car. . . ." Only while his lover keeps telling him non to worry, her reassurances lea to the sexual meet in the final verse and the intriguing reversal in the transitive verb that describes it. She's making love to him, which implies a sexual assertiveness (if not quite aggressiveness) that the narrator won't, or can't, claim for himself.[9]
Biographer Mark Dillon compared the lyrical themes to "a musical equivalent of Rebel Without a Crusade."[2] In his book Sonic Abracadabra, David Howard wrote that "Don't Worry Baby" was a "subtle harbinger for the growing dichotomy within the California Audio. While 'I Get Around' symbolized the sunshine ideal in all its carefree splendor, 'Don't Worry Infant' suggested something entirely more pensive and fifty-fifty slightly dark underneath its pristine facade."[ten]
Composition [edit]
Musically, "Don't Worry Infant" is closely similar to "Exist My Baby".[eleven] The verses are in E major and follow a I – Iv – 5 progression.[7] One of the ways in which the vocal distinguishes itself from "Be My Baby" is through the apply of a central change for the chorus section.[11] At the cease of the verses, the vocal shifts from Eastward to F ♯ past repeating a ii7 – V progression i whole step above.[12] The chorus has the same chord progression equally the verses of "Be My Baby" (I – ii – Five).[7]
Recording [edit]
The Beach Boys at a 1964 photoshoot
The Beach Boys recorded "Don't Worry Baby" equally part of two eight-hr sessions at United Western Recorders, Hollywood, on January 7, 1964.[xiii] [7] All of the band members played their ain instruments on the recording.[13] [14] Vocals and guitars were overdubbed on January 8 or 9. Take 12 was used for the master.[thirteen] Former member David Marks, who had left the group several months earlier, may have played at this overdubbing session.[xv]
Commenting on Wilson's singing, White wrote, "Brian upped the song ceiling in his emulative arrangement to accommodate the Wagnerian Minnie Mouse yodel that was Ronette lead singer Ronnie Bennett's standard sonic slope."[iii] An alternating have of Wilson's singing was included on the 2013 box set Made in California.[16]
Despite being modeled heavily afterward "Exist My Babe", "Don't Worry Infant" does not emulate Phil Spector'south Wall of Audio production technique.[seven]
Release [edit]
Close Downwardly Volume ii was released on March two, 1964, with "Don't Worry Baby" placed every bit the second track. On March 14, the band appeared on American Bandstand, during which they lip synced a functioning of "Don't Worry Baby". The segment was broadcast on ABC on April 18.[17]
On May eleven, "Don't Worry Babe" was issued every bit the B-side to their single "I Get Effectually".[17] The B-side charted separately from the A-side due to differences in radio plays, peaking at number 24 on July 4.[18] Cash Box described it as an "attending-getting shuffle beat cha cha" vocal that "has the big hit goods."[19]
Legacy [edit]
OK, and so possibly the appeal of this one has cypher to practise with the specifics of the story, but surely we tin all relate to the idea of support, how knowing that someone cares for you regardless of what happens gives yous strength to exercise groovy things. And the music is such a perfect accompaniment to this theme, so damn cozy and warm, a tender respite from the stressful reality of the main narrative.
—Pitchfork editor Mark Richardson[20]
Biographer David Leafage declared that "Don't Worry Infant" became Wilson'southward first "popular standard",[1] while Dillon decreed that information technology marked "one of his defining [song] performances on ane of his greatest records."[2] In a 1970 interview, Wilson opined, "Probably the all-time tape we've washed was 'Don't Worry Baby'. It has near the all-time proportion of our voices and ranges."[21]
In 1988, "Don't Worry Baby" was ranked number 11 on Spin 's list of the greatest singles in history.[2] In 2004, information technology was ranked number 178 on Rolling Stone 'southward list of the greatest songs in history.[22] In 2010, it was ranked number 14 on Pitchfork 's list of the greatest songs of the 1960s.[20]
Cover versions and homages [edit]
Terry Melcher drew heavily on "Don't Worry Baby" for his product and arrangement of the Byrds' 1965 rendition of "Mr. Tambourine Man".[23] [24] The 2 tracks share a similar tempo, likewise equally the same drum beat and rhythm guitar patterns.[24] Byrds fellow member Roger McGuinn greatly admired "Don't Worry Baby" and stated that, at one indicate, he listened to the record (alongside "God Only Knows") nearly every morning. "I'd wake up and play those songs. It was really inspirational. Information technology was almost like going to church building."[25] Dillon writes that role of the Byrds' subsequent success "can be attributed to how they successfully adjusted Beach Boys-style harmonies" on songs such as "Mr. Tambourine Human".[26]
| "Don't Worry Babe" | ||||
|---|---|---|---|---|
 | ||||
| Single by B.J. Thomas | ||||
| from the album B.J. Thomas | ||||
| B-side | "My Dear" | |||
| Released | June 1977 | |||
| Label | MCA | |||
| Songwriter(south) | Brian Wilson, Roger Christian | |||
| Producer(s) | Chris Christian | |||
| B.J. Thomas singles chronology | ||||
| ||||
The song was Keith Moon's favorite Beach Boys rails, and he recorded a version of information technology for his only solo album, 2 Sides of the Moon (1975).[27] Some other cover by the Bay City Rollers became a Top xl hit in Australia.[28] B.J. Thomas' 1977 version of "Don't Worry Baby", released every bit a single, was the most successful and outperformed the sales of the Beach Boys' version. Thomas later said, "I accept ever loved the Beach Boys—all of their records. They could do no wrong in my volume. Brian Wilson was astonishing. It wasn't my biggest hit, but it did sell near 800,000 copies and I nonetheless perform it live in concert."[29]
In the 1980s, Randy Bachman and Carl Wilson wrote an homage to "Don't Worry Babe", titled "What'southward Your Hurry, Darlin'?", that was recorded past Bachman'due south band Ironhorse.[30] Lorrie Morgan was the featured guest on the Beach Boys' rerecording of "Don't Worry Baby" for the band's 1996 album Stars and Stripes Vol. 1.[31] Garbage'south 1998 single, "Push It", contained an interpolation of the "Don't Worry Babe" chorus; Wilson and Christian were subsequently given songwriting credits on "Push It".[32]
Personnel [edit]
Per Craig Slowinski.[13]
The Beach Boys
- Al Jardine – backing vocals, electric bass guitar
- Mike Honey – backing vocals
- Brian Wilson – atomic number 82 and bankroll vocals, piano
- Carl Wilson – backing vocals, electric rhythm guitar
- Dennis Wilson – backing vocals, drums
Additional musicians and production staff
- Chuck Britz – engineer
David Marks may have played the overdubbed pb guitar solo, however, Slowinski could not confirm this with complete certainty.[fifteen]
Charts [edit]
Weekly singles charts [edit]
| Chart (1976) | Top position |
|---|---|
| Australia (Kent Music Report)[28] | 34 |
| Chart (1977) | Elevation position |
|---|---|
| Canada RPM Top Singles[33] | 12 |
| Canada RPM Adult Contemporary[34] | 1 |
| U.S. Billboard Hot 100[29] | 17 |
| U.Southward. Billboard Adult Contemporary[35] | two |
| U.S. Cash Box Top 100[36] | 13 |
Year-cease charts [edit]
| Chart (1977) | Rank |
|---|---|
| Canada RPM Meridian Singles[38] | 118 |
| U.S. Billboard Hot 100[39] | 96 |
| U.S. Greenbacks Box [40] | 83 |
Encounter also [edit]
- "Mona" – a 1977 Embankment Boys song, written past Wilson, that discuss some of his favorite songs past Spector, including "Da Doo Ron Ron" and "Be My Infant".[41]
References [edit]
- ^ a b Leafage 1978, p. 52.
- ^ a b c d e Dillon 2012, p. 29.
- ^ a b c d e White 1996, p. 186.
- ^ Dillon 2012, pp. 28–29.
- ^ a b c Wilson & Gold 1991, p. 82.
- ^ Sharp, Ken (Jan two, 2009). "Brian Wilson: God'south Messenger". American Songwriter.
- ^ a b c d e Rooksby 2001, pp. 27–28.
- ^ White 1996, p. 352.
- ^ Carlin 2006, p. xl.
- ^ Howard 2004, p. 57.
- ^ a b Lambert 2016, p. 69.
- ^ Lambert 2016, p. 71.
- ^ a b c d Slowinski, Craig (2014). Keep an Eye On Summer 1964 (Digital Liner). The Beach Boys. Capitol Records. Mirror Archived March four, 2016, at the Wayback Car
- ^ Dillon 2012, p. 25.
- ^ a b Slowinki, Craig (Jan 18, 2016). "Re: The Recording of Fun, Fun, Fun and Don't Worry Baby". smileysmile.cyberspace . Retrieved September 3, 2021.
- ^ Sharp, Ken (September 4, 2013). "Embankment Boys Producers Alan Boyd, Dennis Wolfe, Marking Linett Discuss 'Made in California' (Q&A)". Rock Cellar Mag. Archived from the original on 30 September 2013.
- ^ a b Badman 2004, p. 53.
- ^ Badman 2004, pp. 53, 61.
- ^ "CashBox Record Reviews" (PDF). Greenbacks Box. May xvi, 1964. p. 10. Retrieved 2022-01-12 .
- ^ a b "The 200 Greatest Songs of the 1960s". Pitchfork. 2010. Retrieved September 18, 2021.
- ^ Badman 2004, p. 273.
- ^ "500 Greatest Songs of All Fourth dimension: Don't Worry Baby". Rolling Rock. 2004. Retrieved September 18, 2021.
- ^ White 1996, p. 246.
- ^ a b Dillon 2012, p. 31.
- ^ Dillon 2012, pp. 29–thirty.
- ^ Dillon 2012, p. 32.
- ^ Badman 2004, p. 342.
- ^ a b Kent, David (1993). Australian Chart Book 1970-1992. St Ives, Northward.S.W.: Australian Chart Book. ISBN0-646-11917-six.
- ^ a b c Leszczak, Bob (2014). Who did it get-go? : great popular cover songs and their original artists. Lanham, Maryland. p. sixty. ISBN9781442230682.
- ^ Dillon 2012, p. 243.
- ^ "Remembering the Embankment Boys' Crossover into '90s Country, 'Stars and Stripes Vol. i'". 26 June 2018.
- ^ Eden, Dawn (1998-05-01). Brusk Takes; Garbage Version 2.0 . Record Collector. pp. 136, 137.
- ^ "Item Brandish - RPM - Library and Archives Canada". Collectionscanada.gc.ca. 1977-ten-22. Retrieved 2021-09-26 .
- ^ "Particular Display - RPM - Library and Archives Canada". Collectionscanada.gc.ca. 1977-09-10. Retrieved 2021-09-22 .
- ^ Whitburn, Joel (2002). Meridian Adult Contemporary: 1961-2001. Tape Research. p. 242.
- ^ Cash Box Top 100 Singles, Oct fifteen, 1977
- ^ "Lorrie Morgan".
- ^ "Summit 200 Singles of '77 – Book 28, No. xi, Dec 31 1977". RPM. Library and Athenaeum Canada. 17 July 2013. Retrieved June 25, 2016.
- ^ "Top 100 Hits of 1977/Top 100 Songs of 1977". Musicoutfitters.com . Retrieved 2016-09-27 .
- ^ "Top 100 Yr End Charts: 1977". Cashbox Magazine . Retrieved 2016-07-26 .
- ^ Carlin 2006, p. 213.
Bibliography [edit]
- Badman, Keith (2004). The Beach Boys: The Definitive Diary of America's Greatest Band, on Stage and in the Studio . Backbeat Books. ISBN978-0-87930-818-6.
- Carlin, Peter Ames (2006). Catch a Wave: The Rise, Autumn, and Redemption of the Beach Boys' Brian Wilson. Rodale. ISBN978-1-59486-320-2.
- Dillon, Mark (2012). Fifty Sides of the Embankment Boys: The Songs That Tell Their Story . ECW Press. ISBN978-1-77090-198-8.
- Howard, David N. (2004). Sonic Alchemy: Visionary Music Producers and Their Maverick Recordings. Hal Leonard Corporation. ISBN978-0-634-05560-seven.
- Lambert, Philip (2016). "Brian Wilson'southward Harmonic Linguistic communication". In Lambert, Philip (ed.). Adept Vibrations: Brian Wilson and the Beach Boys in Critical Perspective. Academy of Michigan Press. ISBN978-0-472-11995-0.
- Leafage, David (1978). The Beach Boys and the California Myth . New York: Grosset & Dunlap. ISBN978-0-448-14626-3.
- Rooksby, Rikky (2001). Inside Classic Rock Tracks: Songwriting and Recording Secrets of 100 Dandy Songs from 1960 to the Present Day (1st ed.). Backbeat Books. ISBN9780879306540.
- White, Timothy (1996). The Nearest Faraway Place: Brian Wilson, the Beach Boys, and the Southern Californian Experience . Macmillan. ISBN0333649370.
- Wilson, Brian; Gilded, Todd (1991). Wouldn't It Be Nice: My Own Story . New York: HarperCollins. ISBN978-0-06018-313-iv.
External links [edit]
- Don't Worry Baby (Session Highlights / Instrumental Mix With Backing Vocals) on YouTube
- Don't Worry Baby (Stereo Session Outtake With Alternate Lead Vocal) on YouTube
- Don't Worry Baby (2009 stereo mix) on YouTube
- Don't Worry Baby (Royal Philharmonic Orchestra remix) on YouTube
- B.J. Thomas - Don't Worry Baby on YouTube
Don't Worry Baby Im Not Seeing Anyone on the Side
Source: https://en.wikipedia.org/wiki/Don%27t_Worry_Baby
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